Even though the company went out of business in the 1980s, demand for these amazing equalizers never decreased and prices for vintage versions continued to climb. So I wondered if the Klark Teknik would help at all. The TUBE-TECH PE 1C Program Equalizer contains a low frequency boost and attenuation section (shelving), and a high frequency boost section (peaking). ):http://bit.ly/artgrid_zedmartyproductionGET AWESOME PLUGINS:https://pluginboutique.com/?a_aid=5f89e4a781e68GET ROYALTY FREE AND CREATIVE MUSIC SAMPLES:https://www.loopmasters.com/?a_aid=5f89e4a781e68https://loopcloud.com/?a_aid=5f89e4a781e68\"MIX WITH MARTY\" - ONLINE MIXING SERIES:https://vimeo.com/ondemand/mixwithmartyFor further info about me and my studio please visit http://www.zedmarty.com.----------------------------------------------------------------------------------------------------------------Facebook: https://www.facebook.com/zedmarty/Instagram: https://www.instagram.com/zedmarty/Twitter: https://twitter.com/ZedMarty---------------------------------------------------------------------------------------------------------------- For the hardware units, we took a single calibrated analog output from the Avid MTRX and went into each unit and then back into a calibrated input on the MTRX and recorded the resulting audio. Some plug-ins even mimic this gain change. Listen carefully to see how close Apogee came to duplicating the sound of the current Pultec tube unit. This forces us to follow a path with our ears on every track we make, and we are limited with what each piece can do. Their combination of the highest-quality transformers and incredibly broad (low-Q) frequency bands translated into what is still one of the sweetest-sounding EQs ever made. The source is a 20Hz to 48kHz sine wave sweep. The two columns in the chart below show the gain change when (a) the unit is inserted with the EQ switched out and (b) with the EQ switched in. Modification Services for Klark Teknik Kt-76. Again the differences and similarities among the units are clearly visible. The Warm Audio EQP-WA includes CineMag input and output transformers. His reproductions are so accurate that the differences between his new units and the vintage originals is that his new ones have 1) detachable IEC power cords and 2) XLR in and out connectors instead of terminal strips. As part of our testing, we discovered that some of the software plug-ins model this change as well, modifying the level and sound when in Bypass. Though the design and components of the originals are very stable (according to Steve Jackson of Pulse Techniques, who has measured dozens of originals with an Audio Precision test rig), it seemed unfair to put these new units up against a vintage unit, especially when choosing one particular vintage Pultec to compare them to. In this first image, the boost is set to 10 at 30Hz and 12kHz Broad. The current owner of the Pulse Techniques brand, Steve Jackson, bought the name Pulse Techniques and is manufacturing “true to the original” reproductions. It’s unlikely the 1176-KT will be 100% true to the original, but perhaps that doesn’t matter very much as long as it … The three groups (separated by the red lines) show which knobs and switches operate together. “Just pick the same frequency on all the units and turn the boost knobs up to 5 and see how they sound.” Ha! The first unit (the tube Pultec EQP-1A3) was dialed in by ear and then we matched all subsequent units to the same measured values of boost. As you can see, the knob settings vary widely to accomplish identical boosts. Klark Teknik EQP-KT -- AND The Future of Music! This passive EQ design utilized transformers and tubes (common at the time) with a unique tube makeup gain circuit (uncommon at the time) to compensate for insertion loss, meaning that a Pultec could be inserted at unity gain. Also, software models are true to the one specific unit that was modeled, which may not sound the same as another unit. Program Equalizer manual. It’s not so much the function of the knobs as the layout that confuses people. The goal was to recreate the original design as identically as possible, including … I was floored by how I could add all the presence and brilliance I wanted without any sibilance or harshness. Non Pro Tools users can download the Pultec Shootout folder full of audio files by clicking here. Pulse Techniques is the only manufacturer in this lineup that still uses point-to-point wiring (no printed circuit boards) just like the original Pultecs. The internal component view of the Pulse Techniques EQP-1A3. Can they produce the massive low end of an original? Everyone who listened came away with a new understanding and appreciation for the magic of the Pultec EQ. KLARK TEKNIK is proud to incorporate custom-designed MIDAS Input and Output transformers in the KT-2A for the ultimate in high-quality audio reproduction in both live and studio environments. The design is fairly warm but very anemic in the low end and lacks the sonic imprint of its name sake. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. The Avid Pultec Bundle offers the classic EQP-1A, EQH-2, and MEQ-5 equalizers all in one bundle. And there are software designers that have modeled and interpreted the Pultec sound into plug-ins. Klark Teknik offers by far the cheapest hardware clone of the 1176. This is the intro of “You Don’t Let Me Down” from Jordan West’s new self-titled EP (2019), produced here at Sweetwater Studios by Mark Hornsby and Nick D’Virgilio. Other manufacturers also make Pultec-style tube EQs trying to mimic that legendary sound. I've had the opportunity to try a UA1176 before, and while the Klark Teknik doesn't yield identical results, it delivers way more than you'd expect from a 200€ 1176 clone. Here's what Klark Teknik say about the EQP-KT: If ever there is an official “Audio Technology Hall of Fame”, it will definitely include a shrine to the legendary Pultec EQP-1A. Note that only two plug-ins (Avid and iZotope Ozone) are actually unity gain when inserted (0 in/0 out). Urei Rev F vs UAD 1176 Rev E Plugin vs Warm WA76 The 1176 is one of the most famous compressors on the planet. Here are the curves from the same hardware units with LF boost and cut set to 10 at 30Hz and HF Boost set to 4kHz and Sharp (narrow) bandwidth. We are going to take a new approach to our review as there is lots of history and reviews on the 1176 that cover that side already (see some handy links at the bottom). This drum track was recorded at Sweetwater Studios. See the image below to understand the knob groupings. Klark Teknik 76-KT. He has hosted recording forums since 1998, both on the internet (3dB) and Facebook (3D/FB). Vintage units (and many contemporary units) exhibit a gain change when they are patched into the circuit. Every unit was tested using the same exact output/input and same exact cabling. From the left, BOOST and ATTEN both are controlled by the Low Frequency select knob, with the same turnover frequency for each, which is a bit counterintuitive, since most EQs offer a single knob that will either boost or cut. What I love about using a Pultec is that the more I boost the EQ the more it makes me smile. Broad and Sharp refer to the bandwidth of only the High Frequency Boost knob, with broad affecting the widest frequency range. If you’re looking for inexpensive clones of one or the other, you have many options, including the Warm Audio WA-2A, UK Sound 276, Stam Audio SA-76ADG, and Klark Teknik 1176-KT, along with countless plug-ins.But to my knowledge, no one has ever done this: A … Could we devise a way to compare just the sound of the units with identical boost settings? So I decided right up front that we would only compare contemporary units. This website uses cookies to improve your experience. Here are the curves from the hardware units we tested. Store Hours, If you have any questions, please call us at (800) 222-4700. Exclusive deals, delivered straight to your inbox. 3. With nearly a dozen Pultec imitations currently being made, we wondered about how these units compare to each other sonically. The function of each knob is clearly delineated. This Softube Tube-Tech models the hardware PE 1C original. The 1176-KT costs 689.99 USD, slightly cheaper than the WA76. The Waves PuigTec is a replication of the original Pultec owned by renowned producer/mix engineer Jack Joseph Puig. On the software versions, we used plug-in automation to gradually boost the HF and LF from 0 to 10 as you can see in these automation tracks in Pro Tools. When I would use my pair of vintage Pultec EQP-1A3s (serial #s 9727 and 9728) when mastering, sometimes I didn’t even switch in the EQ, but just ran the signal through the transformers and tubes for the wonderful sonic glue it imparted. The playable files below are presented as 320K MP3s, but I strongly encourage you to download and listen to the 24-bit, 96kHz original sound clips. The source was the same 20Hz to 48kHz sine wave sweep. Klark Teknik EQP-KT. In addition to his time at the board, he's been a contributing writer/editor for recording magazines such as EQ, ProSound News, Audio Media and Pro Audio Review since the '90s. Find out more about MIDAS’ amazing legacy by visiting their extensive website. MUSIC FOR YOUR VIDEOS (Extra 2 Months Free! That’s why today there are numerous companies making Pultec clones. The Apogee FX Rack Pultec EQP-1A Program EQ was developed in conjunction with Steve Jackson’s Pulse Techniques and has his blessing. I bought them in 1993 from the original owner. The Tube-Tech PE 1C was the earliest Pultec clone I ever encountered and has been in production since 1985. Fuston is now the Manager of Written Content for Sweetwater's web and print publications. Being music makers ourselves, we love geeking out on all things gear. ):http://bit.ly/artlist_zedmartyproductionGET HIGH-QUALITY STOCK FOOTAGE FOR YOUR VIDEOS (Extra 2 Months Free! Many engineers have discovered that some of the Pultec magic can be accomplished just by patching the unit (transformers and tube “push-pull amplifier”) into the signal path, even without switching the EQ in. Back in the 1950s, when electrical engineers Eugene (Gene) Shenk and Oliver (Ollie) Summerlin started a company called Pulse Techniques (Pultec), they designed and created what has become one of the most unique and desirable equalizers of all time — the Pultec EQP-1A. I remember the first time I used one (on a Russ Taff record in the 1980s). I’m sure Warm Audio will shift more than a few units to professional studios too. With that decision out of the way, we proceeded to gather the contestants and design a listening test. IGS Audio, for example, offer the One LA. While comparing settings on the units, we noticed that identical knob settings yielded very different Boost/Cut amounts. Obviously, Universal Audio continue to make a version of the LA-2A, and various manufacturers make similar units. Phone Hours | Moderator:jjblair. We pay homage to this audio-processing pioneer that has graced so many recordings, with our EQP-KT Classic Tube Equaliser. The KT model uses custom transformers designed by the English audio … To learn more about our cookie policy, please visit our Privacy Policy. BOOST and ATTEN do just what they say — boost and attenuate. Their range encompasses affordable copies of classic compressors, EQs, mic preamps and now microphones, of which the latest is an homage to one of the great studio workhorses. (Even better than tape — heresy, I know!). For Pro Tools users, you can download the Pultec Shootout session by clicking here. The high frequency... Manley's 'enhanced' Pultec EQs deliver the same sweet sound and control as the vintage original, but... What if you could juice your tracks with massive bass, shimmering air, and addictive warmth - without having to shell out a fortune? Many thanks to Sweetwater staff engineers Bobby Dellarocco and Krystal Davis for their help in accurately capturing these samples. He also produced the world-renowned 3D Audio CDs, a series which allows listeners to compare mics, preamps, analog-to-digital converters, DAWs, and summing, giving them the ability to hear the differences in their own spaces. Finally, the two rightmost controls are ATTEN and ATTEN SEL for attenuating high frequencies above the selected frequency: 5kHz, 10kHz, or 20kHz. The Pulse Techniques Pultec EQP-1A3, pictured here along with its reflection in a mirror, showing the huge transformers (on either end), the inductor (large rectangular gray box in the middle), and tubes and capacitors on the back panel. Hopefully you found this listening experiment as enlightening as we did. And I could grab as much warmth and fullness as I desired without the bottom end getting muddy or thick. We also chose to listen to seven plug-ins, listed in alphabetical order. The Waves PuigTec EQP-1A and MEQ-5 tube-style equalizer plug-ins give you the sound and unique... Super-realistic, Vintage ADT Effect with Bundled Plug-ins, 5 Easy Ways to Make Your Podcast Sound Better. #blacklion #blacklionaudio #studioporn #audioengineer #audioproduction #recordingartist #musician #recordproducer #klark #klarkteknik #compressor #optocell #t4b This is an excerpt of Russ Taff’s “There’s a Hallelujah in It All” from his new album Believe (2018), produced here at Sweetwater Studios by Phil Naish and Mark Hornsby. Simply Select your Modification Service and from the options Menu select Authentic Knob Upgrade and Stereo Link option. Not so fast. We chose four audio clips to demonstrate the sound of the Pultecs. Warm Audio have a simple but very effective business model based around recreating vintage studio hardware on a budget. Warm Audio WA76 Limiting Amplifier 1176 Reproduction. In Sharp, the midrange will boost up to 18dB. If anyone has their self identity tied up in buying a warm audio eq for a cut rate price, that is a sad thing to say the least :-D !!! Warm Audio EQP-WA. Thanks also to Steve Jackson of Pulse Techniques, Phil Moore of Retro Instruments, EveAnna Manley of Manley Labs, Brad Lunde and David Seal of TransAudio Group, Dan Anckney, and Roger Robindore of Apogee for all their help in accomplishing this ambitious project. 0:00 No Boost TRANSFER: You may not rent, lease, lend, sell, redistribute, sublicense or provide commercial hosting services with the Software. You can see the differences in the resulting boost and bandwidth among the units. MUSIC FOR YOUR VIDEOS (Extra 2 Months Free! First off, although the numerical values for boost and cut on a vintage Pultec are from 0 to 10, those values are not in dB. Learn More. The Pulse Techniques EQP-1A3 is a re-creation of the original hand-wired, point-to-point Pultec design, differing by having an IEC connector instead of a fixed power cable and XLR in and out instead of a terminal strip for I/O like the vintage units.

On the front of the device there is an old-school VU meter harkening back to studio gear from the 1960s and 70s. All units were powered up for 12 hours before we began recording. In my first usage, it was spooky how close the UAD Pultec was with same settings, but one thing was for sure, only the EQP-KT had sheen as well as depth and body that the plugin did not. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. It is fascinating to hear how big a difference that makes in the sound. Lynn Fuston spent 37 years behind recording consoles in dozens of studios in Nashville, as well as doing remote recordings around the globe. We calibrated all the hardware and software this same way. Do they capture the Pultec magic? Sweetwater Sound The iZotope Ozone 8 Vintage EQ could easily be overlooked as a Pultec-inspired EQ because of its very distinctive non-vintage look and control configuration. We selected eight hardware boxes to audition, listed here from highest to lowest price. 0:12 Boost knob is at 10. The UREI / Universal Audio 1176 and Teletronix LA-2A are two of the most famous dynamic processors ever made. 1951. The Universal Audio UAD-2 Pultec EQP-1A is designed to work with UAD hardware and offers zero-latency monitoring. review warm audio eqp-wa vs klark teknik eqp-kt, pultec-style tube eq shootout by Mark King for proworkshop.com We've been using the Warm Audio EQP-WA since they first hit the market, as early adopters we purchased two from the very first batch, we've since added a second pair because we liked the first pair so much. I decided not to include an original vintage Pultec, because even the youngest original Pultec is nearly 40 years old. Not only is there a change in the “sound,” but there’s also a modification of the frequency response, with a slight boost in the mids. When trying to get lots of details absolutely right, it helps to have three sets of eyes and ears. The biggest difference I could discern between the two, though, was the way the low‑frequency control (35Hz) rolled off the lows on bass guitar; the Warm unit seemed a bit punchier when it was cleaned up. I was reminded how much I love the Pultec sound, just as much as I did when I discovered it 25 years ago. In order to give you an idea of how each of these sounds as you gradually increase the boost, we decided to gradually “wind up” the gain as the audio clip progressed. The knob layout on a Pultec is very nonintuitive and still confuses users to this day, so I will walk you through the controls. Just so you can see how wide the variations are, here are the knob settings (below) that result in identical boosts at 30Hz and 12kHz Broad. The Warm Audio WA76 is proving successful, but there is room for improvement. I have seven 1176 compressors now, one is a UA (my first one acquired back in 2005), two are The Klark Teknik version is a bit of a surprise as to how non LA2A it sounds. Viewed from the one side, these two … One of the great things about Pultecs is how audio just blossoms as you turn the knob farther and farther. Note the differences in available boosts and cuts. You are strongly encouraged to use the highest quality listening system to audition these files so you can fully appreciate the differences. Otherwise we would only be comparing the variation in the different knob settings. — from the Pultec EQP-1A manual, ca. On this song, we only added at 16kHz, with no LF boost or cut. How Video Brings Context to Audio. Warm Audio WA-412 4-channel Microphone Preamp 4-channel Mic Preamp/DI with Fully Discrete, Transformer-coupled, Through-hole Component Topology; 20dB Pad, Phantom Power, LED Metering, and Output Trim Per Channel $1,199.00. My findings were exactly as I anticipated. The IK Multimedia T-RackS offers a resizable plug-in window and recallable presets along with M/S processing. It took me six years to find the pair that I eventually bought. The Retro Instruments 2A3 distinguishes itself by offering two channels in one unit and also adds a switchable subsonic filter (40Hz or 90Hz). We build a dedicated system for capturing audio reference files within each category. For the plug-ins, we took the flat (non-EQd) audio track and inserted the plug-in on that track and recorded the processed audio. The Klark Teknik model also provides TRS 1/4" inputs and outputs while the UA-1776 provides barrier strip input and output as an alternative. The UA model uses custom input and output transformers of unknown origin. I fell in love with the Pultec sound — at a time when vintage units were hard to find and even harder to afford. Low-frequency Boost adds up to 13.5dB, while low-frequency Attenuate cuts 17.5dB at the max setting (10). 0:02 Boost begins You can listen to both of them side by side. , The sweetest thing about a Pultec is how you can alter the frequency spectrum in such a drastic and desirable way. Comparing EQs is easy, right? We gathered together eight hardware units that aspire to the Pultec sound and chose to include seven Pultec-style plug-ins. As the oldest Manley unit that has been continuously in production, the Manley Enhanced Pultec is unique as the only single-rack-space unit in this lineup. The selection of tubes provide low-noise analog output with balanced, warm bass, silky-smooth midrange and brilliant airy treble. In these clips you will hear the drums starting flat and then the boost knobs are gradually increased until they are at full value for the last 8 seconds of the clip. We boosted the low frequencies (LF) at 30Hz and boosted the high frequencies (HF) at 12kHz, set to Broad bandwidth. These are the Boost/Cut curves from the original Pultec EQP-1A manual. I would love to see this thing compared to the Warm/Stam/Heritage units! Or the brilliance and sweetness on the top end? THE MOD IN THE BOX! In my opinion, the real magic of the Pultec sound is in (a) the transformers, (b) the tubes, and (c) the incredibly wide bandwidth of the filters. His studio work on Gold and Platinum-selling records with iconic Christian artists such as Amy Grant, Michael W. Smith, DC Talk, Russ Taff, Twila Paris, Kathy Troccoli, and countless others gives him a unique perspective on the artistry and technology of recording. ):http://bit.ly/artlist_zedmartyproductionGET HIGH-QUALITY STOCK FOOTAGE FOR YOUR VIDEOS (Extra 2 Months Free! Similarly, with the HF boost set to the highest audible octave — 10KCS (kHz) Broad — its bandwidth reaches down to 200Hz, over five octaves lower. Overview. To make sure we were adding the same amount of boost on each unit, we chose to use a sine wave at a chosen frequency, say 30Hz for the low band, and then boosted a specified amount and calibrated them to within 0.1dB. The WesAudio LC-EQP is made in Poland, features a striking internal layout, and is the only unit that offers low boost and low cut with independent frequency selects for each filter, similar to the Lang EQ. The High Frequency controls are grouped in the middle: Boost only, Bandwidth, and High Frequency select, which goes all the way down to 1kHz in the midrange. Here are frequency response curves from the hardware units with boost set to 10 at 30Hz and 12kHz Broad. Again, how does it do that? Check out how to simply upgrade your Klark Teknik KT-2A compressor with the Black Lion Audio T4BLA optocell! 0:07 Boost knob is at 5 My personal mid-’60s Pultec EQP-1A3 pair showing the consecutive serial numbers and attached power cables. The Pultec knob layout. One unique thing about Pultecs is that the Bypass on the front panel is not a “hard-wire bypass,” and when the EQ is switched out, the signal still passes through the transformers and the makeup gain circuit, thus imparting a sound. Its 3RU form factor, just like the EQP-1A, belies the clean, high-tech interior design. The Warm Audio WA76 Limiting Amplifier is a reproduction of the legendary 1176 (Rev. The sonic differences are most evident when the knobs are wide open. From the original Pulse Techniques, Inc. Next we turned both the LF Boost and LF cut to 10 and changed the high frequency to 4kHz and Sharp and boosted it to 10. Alternatives. Thankfully, these days getting that Pultec sound is far easier and more affordable. One of my colleagues recently commented that it basically costs as much as the chassis and parts. Here are the knob settings (below) for identical boosts on each unit. The Pulse Techniques EQP-1A3-SS is the same chassis and circuitry as the tube Pultec above, except it uses a solid-state amplifier section instead of tubes. How was that possible? That’s wide! We decided to find out. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 On the KT-76 we offer a wonderful circuit upgrade, just as we do with the WA76 that moves these Project Studio Grade 1176 compressors to the Big Leagues. The name of each unit is at the top left of each waveform display. For this track, we boosted at 20Hz and 16kHz. The Software Apogee FX Rack Pultec EQP-1A Program EQ Get Directions | Here are the audio sources you will hear. Meanwhile, I'm going to focus here on the two newly released models from Texas-based manufacturer Warm Audio: their WA‑DI‑P is a passive device, whereas their WA‑DI‑A can operate in either passive or active modes. Happy customers, one piece of gear at a time! The surprisingly affordable Klark Teknik EQP-KT features Midas-designed transformers. D) Compressor. The Warm Audio EQP-WA includes CineMag input and output transformers. The surprisingly affordable Klark Teknik EQP-KT features Midas-designed transformers. It features custom Manley-designed transformers. Several of the people who listened as we were recording had never heard a hardware Pultec before — most had only heard the software plug-in versions. The KT-2A produces a warm sound which comes from a premium set of tubes. Can Klark Teknik can pull it off? Audio files are great, but rarely do EQ's and compressors have the exact same settings. Many people have never seen the Pultec frequency response charts (the charts from the original manual are included below) and don’t realize that boosting at 30CPS (cycles per second, or Hertz) on a Pultec affects frequencies all the way up to 1000Hz, five octaves higher. IN addition, the release time of the T4-B opto Cell is very fast and leaves a lot of artifacts … We did the same on the Broad setting for the HF boost, calibrating to within 0.1dB (if knob detents allowed). Share. Everything you love about Sweetwater in the palm of your hand. Now is the perfect time to get the gear you want with simple, promotional financing.
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